Of Thee I Sing, a musical that first appeared on Broadway over eighty years ago is long overdue for a Broadway revival.
One of the most biting political satires ever written, Of Thee I Sing was the first successful American musical with a consistently satiric tone. It was so satirical, the writers of the play and the cast were unsure of what the public’s reception would be, prompting one of the writers of the book, George S. Kaufman, to quip “Satire is what closes on Saturday night.”
Written at the beginning of the great depression, Of Thee I Sing lampoons a political system too tied up in personalities and silly little issues to fix the country’s economy and of how a completely gullible American people can be controlled at the hands of a good presidential media spin (sound familiar?).
The creative team behind the musical was a Broadway All-Star team. The book was written by George S. Kaufman (You Can’t Take it With You) and Morrie Ryskind. The team’s previous collaboration was Animal Crackers, a Broadway musical written for the Marx Brothers (Ryskind went on to write many of the Marx Brothers movies). George and Ira Gershwin wrote music and lyrics. George Gershwin was perhaps America’s greatest composer, writing everything from musicals, to opera, to classical music and ballet. Ira Gershwin is one of the American musical’s greatest lyricists, who wrote for both stage and screen (including the original A Star is Born).
Of Thee I Sing was the first musical ever to win the Pulitzer Prize for drama. Unfortunately though the score is an essential part of the play, the Pulitzer committee did not recognize George Gershwin.
The play tells the story of presidential candidate John P. Wintergreen,” he’s the man the people choose, loves the Irish and the Jews.” For Vice President the choice is Alexander Throttlebottom, a man best known for gaffes (sound familiar) who throughout the play keeps trying to get into meetings and rallies, but gets thrown out because no one knows who he is.
Thanks to political bosses Louis Lippman and Francis X. Gilhooley, newspaper magnate Matthew Arnold Fulton, Senators Carver Jones and Robert E. Lyons – Wintergreen’s chosen platform was selected to avoid political controversy, ending up with the “love platform.” The party bosses also decide that Wintergreen should get married, so they hold a beauty pageant to select a bride for him. The winner is the sultry southern belle Diana Deveraux.
|The Minds Behind The Musical: George Gershwin, Morrie Ryskind, George S. Kaufman, Ira Gershwin|
Unfortunately the candidate throws a wrench into the plans when he falls in love with the all-American Mary Turner whose major qualification is, well:
“some girls can make a pie made up of prunes and quinces, some make an oyster fry others are good at blintzes, some lovely girls have done wonders with turkey stuffings but I have found the one who could really make corn muffins.”
Wintergreen and his Mary win the election but immediately after the inauguration/wedding, Ms. Deveraux shows up to tell her story of winning the contest and being jilted by the new President. The Supreme Court is called in to decide between corn muffins and justice. Thankfully the Court decides, “corn muffins are more important.”
Of Thee I Sing is merciless in the way it attacks all American institutions, the nine members of the Supreme Court care more about politics than justice (just like today), the Senators care more about petty local politics than doing their jobs, and the political operatives don’t give a rat’s ass about what the country needs. They only care about public opinion and maintaining power.
Some things never change.
The least sympathetic character is the French Ambassador, even back then (as Al Bundy once said) everyone hated the French. The Ambassador escalates the Diana Deveraux scandal, bursting into the White House demanding retribution for the affront to France. It seems that the sultry Deveraux is “the illegitimate daughter of an illegitimate son of an illegitimate nephew of Napoleon.”
France is not happy, so to placate the French, the political operatives decide to have the President impeached. But just as the Senate is going through its roll call, in bursts the First Lady who announces she’s expecting. Since no expecting President has ever been impeached the impeachment is called off (she ends up with twins–because it was the politically expedient thing to do).
And what of Ms Deveraux? Vice-President Throttlebottom reminds us, when the President is not able to fulfill his duty, that obligation is taken over by the Vice-President.
In the end everyone is happy, the President has his Mary (and corn muffins).
Of Thee I Sing is a special play because it really connected with the mood of America during the first part of the depression. A mood similar to today a feeling that our government was run by a bunch of well-meaning fools, who get tied up in their own underwear trying to get anything done. Over and above the great music, comedy and biting satire, the element that worked best was a sense of optimism; a feeling that however bad things got eventually things would turn out fine.
That optimism is uniquely American.
Two years after Of Thee I Sing opened the same exact all-star team of producers, writers, actors, etc. wrote a sequel called Let Them Eat Cake, it only lasted 90 performances. It failed because was it was much darker and more pessimistic than the original.
Of Thee I Sing was revived a few times, a planned movie version starring the Marx Brothers never came together (thank God), there was even a dreadful TV version starring Carroll O’ Connor (it was the musical comedy equivalent of the Star Wars Christmas Special), but it was never brought back at the right time.
This classic of American theater works best during a time when the country is in economic and political distress, at a time when the country looks for entertainment poking fun at what they are going through while understanding that as bad as things get, in the end everything will be just fine. A time like now
Below for your enjoyment is a recording of the impeachment scene from the original 1931 cast.